The art of arriving
somewhere, slowly.

Mira,creator in residence.

I trained as a documentary editor before hotels started asking for films. That grounding still shapes the work: long lenses, available light, no scripts pinned to a wall. I stay long enough to be forgotten by the staff, which is precisely when a house begins to look like itself.

Everything is shot solo — travel, direction, sound, edit — so the whole thing moves at the pace of the place rather than a crew call sheet. Delivery is unhurried, deliberate and, I hope, quietly persuasive.